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Document Type

Article

Abstract

Taking as its starting point Milton’s portrait of a Satan who creates deeper and deeper hells within himself as he continually rejects heaven, Ellwood demonstrates how a number of characters in the Chronicles of Narnia similarly deceive themselves and become—literally, in the case of some—blind and deaf to reality and the chance of salvation. Among them are Edmund, Eustace, Uncle Andrew, and the Dwarves in the Stable in The Last Battle.

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