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Document Type

Article

Abstract

The author takes two approaches in this discussion of The Great Divorce: enumerating the medieval sources and analogues for Lewis’s story, particularly The Divine Comedy but also other dream-visions such as The Romance of the Rose; and seeking out modern parallels and inspirations, such as Forster’s “The Celestial Omnibus” but more importantly Tolkien’s “Leaf by Niggle” and Williams’s All Hallows’ Eve.

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