Presenter Information

Taylor Driggers

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Event Website

https://www.mythsoc.org/oms/oms-2023.htm

Start Date

8-5-2023 12:00 PM

End Date

8-5-2023 12:50 PM

Description

Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess spill over into and amplify one another, constructing a theology premised on transformative pleasure. These aspects of Duane’s worldbuilding, however, exist in uneasy tension with the series’ increasing narrative concern with the maintenance of noble bloodlines and divinely sanctioned hereditary monarchies, which transforms a potentially radical queer eucharistic theology into something uncomfortably close to what Jasbir K. Puar (2007) has described as ‘homonationalism’. These tendencies in Duane’s writing highlight the need for fantasy’s queer theological imaginaries to be attentive to the ways religious identity, desire, and nationhood serve as mutually constitutive and socially regulating forces, lest queerness become recuperated as an extension of Western theological triumphalism rather than its dissolution.

Comments

SESSION II
12:00 Noon—12:50 PM Eastern
11:00 AM—11:50 Central
10:00 AM—10:50 Mountain
9:00 AM—9:50 Pacific
4:00 PM—4:50 GMT

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Aug 5th, 12:00 PM Aug 5th, 12:50 PM

Feasting at the Threshold: Transubstantiation, Queer Desire, and Homonationalism in Diane Duane’s The Tale of the Five

Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess spill over into and amplify one another, constructing a theology premised on transformative pleasure. These aspects of Duane’s worldbuilding, however, exist in uneasy tension with the series’ increasing narrative concern with the maintenance of noble bloodlines and divinely sanctioned hereditary monarchies, which transforms a potentially radical queer eucharistic theology into something uncomfortably close to what Jasbir K. Puar (2007) has described as ‘homonationalism’. These tendencies in Duane’s writing highlight the need for fantasy’s queer theological imaginaries to be attentive to the ways religious identity, desire, and nationhood serve as mutually constitutive and socially regulating forces, lest queerness become recuperated as an extension of Western theological triumphalism rather than its dissolution.

 

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