Presenter Information

Kristine Larsen

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Event Website

https://www.mythsoc.org/oms/oms-2023.htm

Start Date

8-5-2023 3:00 PM

End Date

8-5-2023 3:50 PM

Description

Black holes are frequently described as the scariest objects in the universe, even by the normally staid scientists who study them. Like the warning on the gate of Hell in Dante’s Inferno, any (hu)man or matter that dares to cross the event horizon abandons all hope before literally being ripped to shreds by the object’s extreme tidal forces. As the heart of the beast is approached, the laws of physics break down, time loses its simple everyday meaning, and mathematical madness reigns supreme. It is no wonder that Hollywood has repeatedly adopted the black hole as more than merely a metaphor for Hell, but a fantasy gateway leading directly into it (with all the metaphysical and mythopoeic aspects one would expect). This presentation will concentrate on three such works, the “Impossible Planet/The Satan’s Pit” arc of Doctor Who (2006), the much-maligned Disney film The Black Hole (1979) and the cult-classic film Event Horizon (1997). While these works are usually considered sci-fi rather than classic fantasy, their use of black holes as fantastical gateways to Hell emphasizes their supernatural rather than scientific aspects.

Comments

SESSION IV
3:00 PM—3:50 Eastern
2:00 PM—2:50 Central
1:00 PM—1:50 Mountain
12:00 Noon—12:50 PM Pacific
7:00 PM—7:50 GMT

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Aug 5th, 3:00 PM Aug 5th, 3:50 PM

“Hell is only a word. The reality is much, much worse”: Black Holes as Fantasy Gateways to Hell

Black holes are frequently described as the scariest objects in the universe, even by the normally staid scientists who study them. Like the warning on the gate of Hell in Dante’s Inferno, any (hu)man or matter that dares to cross the event horizon abandons all hope before literally being ripped to shreds by the object’s extreme tidal forces. As the heart of the beast is approached, the laws of physics break down, time loses its simple everyday meaning, and mathematical madness reigns supreme. It is no wonder that Hollywood has repeatedly adopted the black hole as more than merely a metaphor for Hell, but a fantasy gateway leading directly into it (with all the metaphysical and mythopoeic aspects one would expect). This presentation will concentrate on three such works, the “Impossible Planet/The Satan’s Pit” arc of Doctor Who (2006), the much-maligned Disney film The Black Hole (1979) and the cult-classic film Event Horizon (1997). While these works are usually considered sci-fi rather than classic fantasy, their use of black holes as fantastical gateways to Hell emphasizes their supernatural rather than scientific aspects.

 

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