Presenter Information

Grace Moone

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Event Website

https://www.mythsoc.org/oms/oms-2023.htm

Start Date

8-5-2023 1:00 PM

End Date

8-5-2023 1:50 PM

Description

In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable has led to a proliferation of villains, demons, and devils who are coded as Queer. We’ll explore why characters across a broad range of Mythopoeic works and adaptations, from Maleficent to Supernatural’s King of Hell to numerous depictions of Lucifer himself in music videos like Call Me By Your Name or television shows like Lucifer are queercoded, and how these norms have become heuristically embedded in mythopoeic storytelling.

Comments

SESSION III
1:00 PM—1:50 Eastern
12:00 Noon—12:50 PM Central
11:00 AM—11:50 Mountain
10:00 AM—10:50 Pacific
5:00 PM—5:50 GMT

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Aug 5th, 1:00 PM Aug 5th, 1:50 PM

Those Queer Devils: Queercoding Villains, Devils, and Demons in Mythopoeic Film and Media

In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable has led to a proliferation of villains, demons, and devils who are coded as Queer. We’ll explore why characters across a broad range of Mythopoeic works and adaptations, from Maleficent to Supernatural’s King of Hell to numerous depictions of Lucifer himself in music videos like Call Me By Your Name or television shows like Lucifer are queercoded, and how these norms have become heuristically embedded in mythopoeic storytelling.

 

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