Abstract
Looks at Davidman’s involvement with Hollywood—her short and unlamented stint in the Metro-Goldwyn-Mayer Junior Writer Program in 1939, and her movie reviews for the Communist Party of the USA newspaper, New Masses, in 1941–1943. Davidman’s incisive wit, impatience with any hint of phoniness, and passion for social, racial, and gender justice come through clearly in her writing.
