Mythlore is a scholarly, peer-reviewed journal published by the Mythopoeic Society that focuses on the works of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and the genres of myth and fantasy.
THE HISTORY OF MYTHLORE
Mythlore was founded in 1969 by the late Glen GoodKnight, Founder of the Mythopoeic Society. He edited its first 84 issues, with the exception of issues 18–23, which were edited by Gracia Fay Ellwood. In its early years, Mythlore was a “fanzine” that, in addition to scholarly articles, columns, and book and media reviews, included a great deal of art work, poetry, and other creative work. Over the years, the articles became more and more exclusively scholarly, and the creative work and fiction reviews moved to sister publications like Mythprint and Mythic Circle. When Dr. Theodore Sherman of Middle Tennessee State University assumed the editorship with issue #85 in 1999, Mythlore completed its transformation into a refereed scholarly journal publishing only articles and reviews. At that time, its format also changed from 8½” x 11” to 6½” x 9”. Janet Brennan Croft, currently of the University of Northern Iowa, became editor in 2006 and switched to a double-issue format with issue #93/94. The journal was published in two double issues per year, in approximately April and November through Spring 2013. In Fall 2013 the double issue numbering was dropped starting with issue #123, and electronic subscriptions became available for individuals.
Current Issue: Volume 43, Number 2 (Spring/Summer 2025, #146) (2024)
Editorial Introduction
Articles
No Ragnarök, No Armageddon: Pagan and Christian interpretations of The Lord of the Rings
Matthew Thompson-Handell
Feasting at the Threshold: Eucharistic Eroticism and Homonationalism in Diane Duane's The Tale of the Five
Taylor Driggers
Pandemic Mythmaking: COVID-19 and Mythological Symbolism in Indian Folk Art
Ishani Anwesha Joshi and Sathyaraj Venkatesan
Harry Potter and the Goblet of Beowulf: Rowling’s Beowulfian Allusions, Analogues, and Inversions
Mark-Elliot Finley
The Bright Sword and its Sharpness: Swords, Symbolism, and Medievalism in The Lord of the Rings
Gavin S. Davis
Alan Garner’s Elidor: The “Anti-Narnian fantasy”?
Laura N. Van Dyke
Notes and Letters
"Better to Reign in Hell": Ambivalence and Orcs in the Lay of the Children of Húrin
Matthew Thompson-Handell
St. Jack’s Experiment House for Juvenile Delinquents: Responding to Aslan’s Breath by Matthew Dickerson
Gabriel C. Salter
Weaving Wikipedia’s Middle-earth Web
Ian F. Alexander
What Will We Do with the Christmas Pudding?: Joy Davidman, William Lindsay Gresham, and "Christmas in the Workhouse"
Gabriel C. Salter and Clark Sheldon
“Perilous and Fair” in “A Bleak, Barren Land”: A Feminist Responds to Dylan Lee Henderson’s Essay
Robin A. Reid
Book Reviews
J.R.R. Tolkien: A Very Short Introduction by Matthew Townend
Laura N. Van Dyke
Tolkien’s Cosmology: Divine Beings and Middle-earth by Sam McBride
Phillip Fitzsimmons
Diary of an Old Soul by George MacDonald, annotated edition
Tiffany Brooke Martin
Mimetic Theory & Middle-Earth: Untangling Desire in Tolkien’s Legendarium by Matthew J. Distefano
Curtis Gruenler
Harry Potter and Resistance by Beth Sutton-Ramspeck
Douglas Charles Kane
Mapping a Sense of Humor: Narrative and Space in Terry Pratchett's Discworld Novels by Daniel Lüthi
Susan Moore
Art and Enchantment: How Wonder Works by Patrick Curry
N. Trevor Brierly
Briefly Noted

Editor
- Janet Brennan Croft, University of Northern Iowa
- Phillip Fitzsimmons, Administrator of Mythlore and Society Archives, Southwestern Oklahoma State University
- Verlyn Flieger, University of Maryland, College Park
- Charles Huttar, Hope College
- Kris Swank, Signum University
- Rev. John W. Houghton, The Hill School, Pottstown
- Douglas A. Anderson, Independent Scholar
- Donna R. White, Arkansas Tech University
- Christopher Vaccaro, University of Vermont
- Robin Anne Reid, Independent Scholar
- James Prothero, Independent Scholar