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Abstract

In this study of Lord Dunsany’s “Oriental” fairy tales, House-Thomas divides Dunsany’s technique and aims into “traditional” Oriental tales, of the sort Edward Said describes in his theories of Western Orientalist art and literature, and non-traditional, post-modern tales in which Orientalism is turned upside-down and the West is turned into the Other. This paper won the Alexei Kondratiev Student Paper Award at the 2012 Mythcon in Berkeley.

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