Shakespeare’s The Merchant of Venice is not usually thought of as one of his more mythically resonant plays (aside from the Belmont casket scene), yet it is ultimately based on prevailing contemporary Christian myths about Jews and the way these myths defined Christians’ beliefs about themselves. This paper examines film director Michael Radford’s masterful use of myths and symbolism in his production of this play. Includes a reproduction of a painting which Radford duplicates in the final scene of the film, resolving the multiple themes of the play.
Riga, Frank P.
"Rethinking Shylock's Tragedy: Radford's Critique of Anti-Semetism in The Merchant of Venice,"
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 28
, Article 8.
Available at: https://dc.swosu.edu/mythlore/vol28/iss3/8
Copyright held by Artist
Mythcon 51: The Mythic, the Fantastic, and the Alien
Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021