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Abstract

Reading of Ursula K. Le Guin’s not-exactly-historical novel Lavinia, which combines her thematic interest in the feminine voice and experience with postmodern and existential concerns about authorship, textuality, and the collaboration between author and reader (and author and character)—resulting, as always with Le Guin, in something rich, deep, and difficult to classify. Explores how Le Guin adapted the original sources to create a novel from the female character’s point of view.

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Mythcon 51: The Mythic, the Fantastic, and the Alien

Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021
http://www.mythsoc.org/mythcon/mythcon-51.htm

Mythcon Conference
 

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