Abstract
American Gods presents a postmodern view on America and its people and engages with the epic genre both in terms of form and content. This engagement with epic does not present a coherent view of the nation, as other epics do, but instead highlights multidimensionality and irony, demonstrating potential new ways in which the epic can remain important to literary work. Evaluates Gaiman’s use of formal elements of epic such as the use of the national past and national tradition as well as content components such as the presentation of the epic storyteller and the epic hero as it evaluates how the incorporation of epic elements adds to the meaning of the work.
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