Abstract
Analyzes the structural, aesthetic, and thematic parallels between C.S. Lewis’s The Great Divorce and the Middle English dream vision Pearl. By exploring the tension between worldly and heavenly conceptions of justice, value, and possession in The Great Divorce and Pearl, this study demonstrates Lewis’s skill at utilizing and updating medieval source material in order to respond to twentieth-century problems.
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
ORCID ID
https://orcid.org/0000-0003-4486-177X
