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Abstract

Matthew Distefano’s friendly volume extends considerably the conversation about resonances between two twentieth-century literary giants, J. R. R. Tolkien and René Girard. Distefano not only clarifies essential aspects of Tolkien’s work by reading it through the lens of Girard’s mimetic theory but also, through his particular interest in how Hobbits provide models of positive mimetic desire, highlights, extends, and one might even say enacts aspects of Girard’s theory that are easily overlooked.

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