Abstract
Too long for a fairy tale, too fanciful for a novel, too adult for children, too juvenile for adults. Dearth of sex bars it as romance and its cast of Elves and Dwarves—oh, and Hobbits—bans it as realism. For lack of a better word we call it fantasy, but the fact is that until The Lord of the Rings’ incursion onto the scene in 1954 there existed no such formal category or critical term by which to classify this ground-breaking work. How did The Lord of the Rings create the modern category of fantasy?
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