Abstract
This essay is a critical consideration and celebration of the novel Piranesi by Susanna Clarke. The book makes clear references to the Chronicles of Narnia; these connections have been noted and explored elsewhere. But what hasn’t been noticed is Piranesi’s connection to Dr. Michael Ward’s critical theory as described in Planet Narnia (2008). Ward claims that the Narnia books are secretly organized around a medieval planetary scheme that incorporates the atmosphere, imagery, and influence of the “visible planets,” which C.S. Lewis believed were spiritual symbols of permanent value. This essay briefly explains Dr. Ward’s theory and argues that Susanna Clarke emulated Lewis by writing Piranesi to (secretly) incorporate the atmosphere, influence, and qualities of the planet Neptune (although it is not one of the traditional visible planets). Not only is Piranesi a wonderful example of stellar storytelling in its own right; the Neptune theory adds a new dimension of meaning and enjoyment, and there is good evidence to support it.
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