Abstract
This paper challenges the accepted view that the works of writers such as Mrs. Radcliffe, “Monk” Lewis, Maturin and Mary Shelley are part of a Gothic tradition deriving from Horace Walpole’s Castle of Otranto. The paper also studies the connection of Jane Austen to these writers and will try to unravel the errors of Brian Aldiss, whose ideas are taken from earlier authors.
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