This paper explores the use of Pan as the medium for an intense mystical experience in “The Piper at the Gates of Dawn”, and how this mystical passage fits in with the rest of The Wind in the Willows. The author also explores possible influences on Grahame from writers of the nineteenth century who had mystical emphases in their books. The “Piper” is one of the most beautiful passages of natural mysticism in twentieth-century literature, but one rarely discussed: the author hopes this paper will begin to fill this critical gap.

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